• MOVING MOUNTAINS

  • (2015)

Video • Performance • Installation • Disability

Moving Mountains is a three-channel, 20-minute looped video work of performance to camera, exploring issues of disability and power. The work makes explicit a public response, both from and on behalf of disabled people, to experiences of prejudice or assault - big or small, subtle or overt - that take place pretty much daily. But this project is not about starting from a place of being victims, and in the words of one participant, “fuck your sympathy”.

The work starts with a question: whose responsibility is it to deal with instances of oppression faced by disabled people? Or rather, people who are disabled by a world that ‘others’ their physical or mental realities?

Moving Mountains was made by Pacitti Company in collaboration with special guest stars - Angela Dawn Wright, Giovanna Maria Casetta, Rowan James, Tonny, and with Caroline Smith providing integrated British Sign Language.

The performers in this project all present here as artists first and foremost, and as ‘disabled artists’ if and when that moniker suits them. During the process of making this work together, Robert asked each of them to identify a time when they had experienced prejudice or assault. He also asked them not to share those experiences with him, but to utilise them as a vital charge to draw energy from across the rest of the creation period. From there, everyone built personal manifestos, then body maps, and distilled those, along with a huge amount of shared conversation, into the images presented within the installation.

  • The framework created for this project was to facilitate some semblance of meaningful coalition between everyone involved. This meant a rolling series of complex politics and urgent concerns were live throughout, in order to reach some collective understanding - and a shared desire to change the world.

  • EXEUNT MAGAZINE

  • Moving Mountains review, Toynbee Studios, London

  • Diana Damian Martin, January 2016

‘Three screens, one person in each grey space. Each performer connected by the language of sign, sound and movement that take time to slowly register, time to decipher, time to pick up resonant threads. These are Robert’s subtle ‘depth charges’. There is intensity and concentration in the watching, a reaching out for openness and a desire to understand. A pile of earth trodden, sifted, graded, controlled. Chairs upside down, an image reversed. Arms that hug, fingers that point. A body fluid in dance. Voices that sing. A mouth that stuffs, gags and spits. Hands as spikes that crawl like the legs of a crab. Hands that feel and rip and drop. Hands that sign. Sign. What! Is that a scream, a howl, a stifled accusation? Is that a face masked but burning with muted protestation? Is that a body draped, hiding dis/figuration? What from me? Here I am the outsider / Uncomfortable / Uncertain / Ignorant / Afraid / I / the / privileged? / came / and / went / away / to / think.’

  • TOTAL THEATRE

  • Moving Mountains review, Toynbee Studios, London

  • Rebecca Nice, November 2015

‘Moving Mountains by Pacitti Company cleverly manipulates technology to show three videos in portrait, a triptych of before, during and after moments of negative experiences around disability. Moments of defensiveness, honesty and vulnerability are highlighted by a series of barriers, non-endings and personal rituals. Caroline Smith performs a choreography of signing, sassy and rhythmic, whilst others stuff playing cards into their mouths or sift through a pile of earth. The audience is directly confronted as the ‘other’, overturning power balances, language barriers and insecurities.’

CREDITS

  • Premiere: 24 July 2015

  • Duration: 20 minutes, looped

  • Place: High Street Exhibition Gallery, Ipswich

  • Concept, direction: Robert Pacitti

  • Performers, co-devisers: Angela Dawn Wright, Giovanna Maria Casetta, Rowan James, Tonny

  • Performed British Sign Language: Caroline Smith

  • Make-up and hair: Thom Shaw

  • Lighting: Mark Butcher, Johnny Veasey

  • Camera: Deveril

  • Editing: Deveril, Robert Pacitti

    Soundtrack: Robert Pacitti 

  • Film location: Colchester Arts Centre

  • Commissioner: New Wolsey Agent for Change

  • Funder: The Esmée Fairbairn Foundation

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